It’s no exaggeration to say that Stanley Kubrick’s film, written by Arthur C. Clarke, changed science fiction movies forever. From its advertising-saturated future world and insane artificial intelligence HAL, to its near-mythological aliens who seem to have uplifted humans by reprogramming our distant ancestors, the ideas in 2001 blew the minds of an entire generation of movie-goers. Like Metropolis, it also set the agenda for a lot of science fiction that came afterwards, popularizing stories of A.I.s that fall prey to madness and space opera that was political as well as entertaining.
Friday, December 7, 2012
Scifi of the Day
2001 (1968)
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Scifi
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